A Landscape With Too Few Lovers
A DigitalNZ Story by Courtney Johnston
'Oh yes it can / be dark here', McCahon wrote on the Northland panels, 'and manuka / in bloom may / breed despair'. The year before, in a piece written for Art New Zealand, he spoke of his love for the Northland landscape: 'The real Far North of New Zealand is unlike any other part of the land. I can't talk about it, I love it too much. ... Up there is like standing on a moon. Way down below is the sea and the edge of the world and the beach running to nothing and to Te Reienga Wairua: us and a lovely old lady spaniel leaping about with joy - and nothing, nothing more - and further north when you get there - all sculpted by wind and rain its there - you bury your heart, and as it goes deeper into the land you can only follow. It's a painful love, loving a land, it takes a long time. I stood with an old Maori lady on a boat from Australia once - a terribly rough and wild passage. We were both on deck to see the Three Kings - us dripping tears. It's there that this land starts.'
Northland panels
Museum of New Zealand Te Papa Tongarewa
Ahipara
Museum of New Zealand Te Papa Tongarewa
Ruby Bay
Museum of New Zealand Te Papa Tongarewa
Landscape theme and variations (series B)
Museum of New Zealand Te Papa Tongarewa
North Otago landscape 2
Museum of New Zealand Te Papa Tongarewa
Otago Peninsula
Museum of New Zealand Te Papa Tongarewa
Yellow and black landscape
Auckland Art Gallery Toi o Tāmaki
Easter landscape: triptych
Auckland Art Gallery Toi o Tāmaki
Six days in Nelson and Canterbury
Auckland Art Gallery Toi o Tāmaki
Spring, Ruby Bay
Auckland Art Gallery Toi o Tāmaki
Landscape theme and variations (series A)
Auckland Art Gallery Toi o Tāmaki
Takaka: night and day
Auckland Art Gallery Toi o Tāmaki
North Otago landscape
Auckland Art Gallery Toi o Tāmaki
Yellow and black landscape
Auckland Art Gallery Toi o Tāmaki
Northland
Auckland Art Gallery Toi o Tāmaki