The Record Producer's Evolving Role: A Study of Three Recording Projects

About this item

Title

The Record Producer's Evolving Role: A Study of Three Recording Projects

Content partner

University of Otago

Collection

Otago University Research Archive

Description

This doctoral exegesis gives an accounting of my work as producer for the three recording projects described herein: Pluck, by harpist Helen Webby, Tyre Tracks & Broken Hearts, by songwriter Donna Dean, and my own album, The Stone Soup Sessions. The latter two include my work as a performer and composer. The exegesis describes the methodologies employed as a producer and also where the roles producer, performer or composer intersect. The job of record producer has, as have many jobs and roles...

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Format

Research paper

Research format

Scholarly text / Thesis

Thesis level

Doctoral

Date created

2016

Creator

Egenes, John

URL

https://hdl.handle.net/10523/6303

Related subjects

record production / digital culture / stone soup / Donna Dean / Helen Webby / Americana music / country music / folk music / albert lee / stems / recording / collective intelligence / recording studio

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