John Dobree Pascoe

A DigitalNZ Story by Sienna Latham

Of all of Pascoe's photographs, I love his portraits best. Somehow staged and spontaneous, they hint at one of his foremost talents as a photographer: empathy. It's clear that he made his subjects feel comfortable in front of the camera, and this lends his images a timelessness that belies their often very pivotal and of-the-moment subject matter. See, for instance, his photos of the Maori Battalion, Polish refugees and women's wartime efforts (as opposed to, say, his landscapes and photos of Manuka Point Station). These are beautiful, moving tributes to his curiosity and willingness to experiment as a photographer.

Image: Dorothy in old cart, Rakaia River

Dorothy in old cart, Rakaia River

Museum of New Zealand Te Papa Tongarewa

Image: VE Day, from Perretts Corner, Wellington 8 May 1945

VE Day, from Perretts Corner, Wellington 8 May 1945

Museum of New Zealand Te Papa Tongarewa

Image: Photograph of mountaineering equipment

Photograph of mountaineering equipment

Alexander Turnbull Library

Image: Land Girl

Land Girl

Alexander Turnbull Library

Image: Trainee physical education instructors, March 1944.

Trainee physical education instructors, March 1944.

Museum of New Zealand Te Papa Tongarewa

Image: Street in Westport

Street in Westport

Alexander Turnbull Library

Image: Girl feeding pigs

Girl feeding pigs

Alexander Turnbull Library

Image: Lambton Quay, Wellington

Lambton Quay, Wellington

Alexander Turnbull Library

Image: The ship Pamir in Wellington Harbour

The ship Pamir in Wellington Harbour

Alexander Turnbull Library

Image: Hanging out washing, Dixon Street flats

Hanging out washing, Dixon Street flats

Alexander Turnbull Library

Image: Miners in a political argument

Miners in a political argument

Manatū Taonga, the Ministry for Culture and Heritage