Creating digital content
This page includes guidance about technologies and standards for museums, libraries, archives, and other organisations in Aotearoa New Zealand who are digitising their collections.
How do I create a digital copy of an analogue item?
If your business or project depends on having content that can be used over a reasonable period of time, you need to anticipate that some technologies and standards will become obsolete. When looking for good or best practice, refer to guidance that is current and addresses recent developments. To achieve this, look for technology hardware and software that uses open standards and for guidance that is being maintained and has been updated within the last three years.
Because of the different media and content types involved, we have split this guide into sections:
Each section provides an overview of the kind of technology involved and the approach to practice and minimum standards we recommend.
What are open standards?
Minimum characteristics of open standards
There is no one definition of what makes a standard ‘open’. As a minimum, we recommend that digital content creators and managers look for software, hardware, schemes, and formats that have the following three open characteristics:
The description and specification for the standard is publicly documented and available.
The standard can be implemented or used free of any royalties, contracts, or patent licence fees.
The standard is in common or mainstream use, including by organisations with long-standing reputations.
These characteristics require more than just popular use. For example, Microsoft’s Word .doc format and Fraunhofer’s .mp3 format are both proprietary format standards despite their popularity (while the less popular OpenDocument format and Ogg Vorbis format are open format standards). While the TIFF image format is owned by Adobe Systems Incorporated, it is publicly documented, free of royalties and in common use, giving it a sufficient degree of openness for it to be recommended.
Ideal characteristics of open standards
In addition to the above minimum characteristics, open standards are ideally:
in common or mainstream use in multiple countries
endorsed or approved by a formal standards body (e.g. ISO, W3C)
issued and maintained by a non-profit body independent of commercial or pecuniary interests
developed and agreed by a consensus of interested parties.
In practice, it can take many years for open standards to emerge that have all of the ideal characteristics, and even longer for them to be supported in software and hardware. Furthermore, as patents expire, some published proprietary standards can effectively become open.
In the Make it Digital guides, we have focused on identifying standards that meet the minimum characteristics of openness described above. In some cases however, it will be difficult or impossible to follow an open standard. Good documentation and common use — often characteristics of ‘industry’ standards — may then have to be a necessary compromise until an open standard emerges.
Disclaimer: We believe the information in this guide on this page is accurate, but it does not constitute legal advice and DigitalNZ is not responsible for loss or damage caused as a result of following it.
Further reading and useful links
Digital format standards
There are lots of different kinds of digital format standards out there and it can be confusing to know which one to choose. We recommend digital format standards that follow these principles:
Quality: A good format is lossless (retains all the information captured) and creates an accurate version that is flexible for future re-use.
Interoperable: A good format can be used by different software and hardware platforms and migrated to different carriers over time.
Widely supported: A good format follows a widely supported open or industry standard.
Self-contained: A good format supports a unique identifier and the ability to embed metadata according to a standard metadata schema.
Continued usability in different environments and contexts is central to good practice, and all standards where possible should support this. We have identified some standards that we consider meet this test.
Download Good practice standards - Photographs and images (PDF/173 KB)
Resolution and file-size calculators
This helpful online calculator, from Scantips.com, is designed for scanning of negatives, slides, and prints of a variety of types and sizes: Scanning and printing resolution calculator
The following digital audio calculator will calculate the bit rate for uncompressed audio and the file size for a given bit rate: Audio Bit Rate and File Size Calculators
New Zealand resources
We recommend the following New Zealand resources for more in-depth information:
Digitisation of heritage audio recordings (+ checklist for planning a digitisation project) - Alexander Turnbull Library, National Library of New Zealand
A Guide to Recording Oral History - New Zealand History Online
International resources
We recommend the following international resources for more in-depth information:
A Framework of Guidance for Building Good Digital Collections 3rd Edition - National Information Standards Organization, December 2007
BCR's CDP Digital Imaging Best Practices Version 2.0 - Bibliographical Center for Research, June 2008
Digital capture and image creation: standards and equipment - National Library of Australia
Guidelines on the Production and Preservation of Digital Audio Objects - IASA Technical Committee, Second Edition 2009
An Introduction to Compressed Audio with Ogg Vorbis - Graham Mitchell 2004
A Primer on Codecs for Moving Image and Sound Archives (PDF) - Chris Lacinak 2010
DIY Bookscanner - a web community for DIY bookscanners and software
The Text Encoding Initiative - tei-c.org
Recommended reading and viewing
Digital Preservation - Ngā Taonga Sound and Vision
The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials - The Academy of Motion Picture Arts and Sciences, 2007
The Safeguarding of the Audio Heritage: Ethics, Principles and Preservation Strategy - International Association of Sound and Audiovisual Archives, 2005
Sustainability of Digital Formats: Sustainability Factors - Library of Congress, March 2007